Archive for the A+ Review Category
AMC’s The Killing premiered last night with a compelling two-hour episode that could set the standard for the new procedural drama. Read all about the absolutely terrific pilot with my non-spoilery review over at Badass Digest!
MAN OH MAN what an ep! Read my recap of the stunning milestone episode over at Watchtower!
You guys! I went to Fantastic Fest last weekend! True, I was only there for 2 days with a daytime badge, so I missed just about every single huge premiere. AND YET! I had an amazing time, saw incredible films, hung out and sang karaoke with celebrities, and I can’t wait to go back next year! Let this be a lesson to you, friends. You can totally do Fantastic Fest with no money and no time. It’s doable!
So I’m not going to get into the parties/celebrities aspect of it, even though that’s definitely a significant part of the festival, just because I know my bestie poshdeluxe will be doing a far more thorough job of that very shortly. I’ll be sure to link to her FF post as soon as it’s up, and in the meantime, I’m going to stick to the movies!
Machete Maidens Unleashed (2010)
Director: Mark Hartley (in attendance)
Writer: Mark Hartley Continue reading
You may think this grade is a wild overestimation. After all, in earning an A+ on this blog, Piranha 3D is in the company of such gruesome cinematic feats as Candyman and Hellraiser. But for what it is—an uproarious, 88 minute schlockfest drenched in gore and teeming with glorious, fully dimensional nudity—Piranha 3D is FLAWLESS!
Holy shit, you guys! I LOVE THIS MOVIE SO CRAZY MUCH! After reading several fantastic reviews and hearing some bordering-on-sacrilege praise from my friends, my expectations were outrageously high. Mr. Marla kept warning me: “Don’t build it up too much!” but I couldn’t help myself. I built that shit HIGH, my friends. ALL THE WAY UP. And I STILL wasn’t prepared for the utter transcendence that was this movie. Continue reading
Welcome back to the David Cronenberg Retrospective! Our next entry marks a transitional period for Sir Cronenberg, an evolution into the more accessible, character-driven stories that make up the latter part of his career. Cronenberg’s 1986 film The Fly, a remake of the 1958 flick by the same name, is a human story swathed in genre trappings. Really icky, awesome, genre trappings.
Twenty years and one week ago, Mark Frost and David Lynch’s Twin Peaks premiered on ABC and changed television forever. I was eight years old and only peripherally aware of the revolutionary series. I recall watching an early ep and feeling strangely drawn to it, but being tied to the TV whims of my parents, I never saw another episode until college—at which point I became completely consumed and have cycled through the series on a continual loop ever since.
Other, more intelligent writers than I have expounded on what makes Twin Peaks so brilliant, so compelling, so avant-garde and yet so timeless. I’m a shallow lady, however, indulging in shallow delights, and so will merely present to you my superficial reasons that Twin Peaks is the Greatest Show In the History of Television.