by: Reverend Jon
When Marla allowed me to choose which movie to review for the David Cronenberg Retrospective, Videodrome was my answer. The movies that resonate with me are those that explore real issues and fears and cause me to think differently about life and the world around me. Videodrome is undoubtedly that kind of movie.
Videodrome is about intersections, or perhaps even collisions, between loaded concepts: pain and pleasure, technology and the human body. I will say right now that it is easy to watch this movie and dismiss it as dated and irrelevant, cheesy even, but I argue that the underlying ideas are relevant today.
From the very beginning, we know that this is no ordinary movie. We are introduced to Max Renn (James Woods, whose waxy complexion lends itself to the manual effects) by his wakeup call, which at first seems eerily prescient, a woman on TV addressing the viewer by name and who knows the date, but then later we realize that this was recorded in advance. Continue reading